Born in 1959 and brought up in the Democratic Republic of the Congo, M’bilia Bel is a Congolese rumba singer, known as the Queen of Congolese rumba.

She became successful in the early 1980s when she recorded and toured with Tabu Ley Rochereau, and made her own solo albums.

The birth of her first child prompted her to take a break from performing, however, and after their last album with Tabu Ley in 1987, she moved to Paris.

There she started working with guitarist Rigo Star, and between 1989 and 1990 went on tour to the United States, the United Kingdom, and West Africa.

With a combination of beauty, an angelic soprano voice, and tremendous agility on stage, M’bilia Bel stole the hearts of music fans all over the continent.

She was Africa’s first female transcontinental diva. She became the first female musician from Africa who could claim popularity all over the entire continent and beyond.

In fact, one could argue that there has not been any female musician from Africa who has captured the imagination of music fans across the continent as much as M’bilia Bel did in the eighties.

She began her performing career at the age of seventeen singing backup for Abeti Masikini and later with Sam Mangwana. She burst into the music scene when
she joined Tabu Ley’s Afrisa International in 1981.

Her first ever album, released in 1983, was the extremely popular ‘Eswi yo wapi’, which roughly translates to "Where did it hurt you?” composed by both Tabu
Ley and M’bilia Bel. 

By the mid-eighties, M’bilia Bel had officially married Tabu Ley and was a refined and mature performer. Her songs continued to dominate the scene. Among
them was "Mobali na ngai wana”, which roughly translates to "This Husband of Mine”.

M’bilia Bel quit the band late in 1987 to embark on a solo career. She briefly joined with a Gabonese producer in Libreville before leaving for Paris where she joined with guitarist Rigo Starr Bamundele.

Her first album with Rigo Starr was entitled "Phénomène” and was a huge success in Kinshasa as well as
abroad.

Subsequent releases such as Yalowa, Desolé and Exploration were met with limited success.

Following the departure of M’bilia Bel, the popularity of Afrisa International as a band plummeted substantially.

Tabu Ley himself seemed to lose inspiration for composing as is evidenced by the substantial reduction in the number of albums released. With the exception of her debut album, Phénomène, Mbilia Bel’s career also took on a downward spiral when she left Afrisa.

Her more recent work has involved taking her usual style (traditional rumba and soukous) and mixing in rap and other modern elements.

Ends